#D16 PHOSCYON MANUAL HOW TO#
However, a great way to achieve the elusive bounce is to use a compressor and in this tutorial, I show you how to achieve this wonderful texture using 3 different types of compressors. Automation can lend itself to creating bounces by using bump automation but there are better broadband techniques that yield equally good results. You can create the perception of bounce by using late or early notes, but this would require more than one note in order to provide a reference. Time is also a factor when considering bounce. This means we can have a velocity envelope that denotes how the amplitude envelope is triggered. An envelope denotes a shape but the speed at which the envelope is triggered, velocity, is integral to bounce. Although it is correct to regard bounce as an envelope, it is actually more than that. It is the movement from zero to the peak, sustain, and release. But what is it we are trying to achieve? TR bounce How do we define bounce?īounce is a dynamic event. However, we now have powerful DAWs with all manner of processing tools and one tool that has stood the test of time, and is absolutely perfect for shaping that legendary kick drum, is the compressor. Creating a signature sound with the TR kick drum is very difficult in that every beat-maker and producer has processed that sound in so many ways that originality and uniqueness are hard to achieve. Ideal if you want to post or share your pattern online - just post the text! Buy 0.Since the day Roland released the TR and Hip Hop began to evolve we producers have looked for ways to customise and shape the bass drum to suit our needs. XML allows the files to be edited in a text editor. This allows single patterns or whole banks to be exchanged between users easily. Set the balance between order and janky chaos: add subtle rhythmic hiccups or throw your beat into a blender. Twist your knob: The shuffle knob goes waaay past triplets. Randomizing can be applied to drums independently and with variable frequency - its odds of recurrence. You can also precede the starting pattern with an intro pattern, and much more. You can choose from played patterns, use variations, and fill in modes triggered automatically or manually.
#D16 PHOSCYON MANUAL FULL#
Simple patterns are used in Host Mode where each pattern location has a midi note number assigned to it.īy drawing in notes in your DAW, you can map out and trigger full drum patterns. There is 16 extended and 96 simple patterns which both can be edited traditionally using the step buttons or using the tap function. The internal sequencer contains two banks of patterns: simple and extended. Most of Nepheton's parameters can be automated within the host and can be controlled via MidiCC using virtually any external controller.
This can be set to play using Nepheton's internal clock, or set to sync to the host sequencer. It can be used to trigger individual modules as a modern alternative to the internal sequencer. Solo stops all other modules from being triggered and only activates the selected module s. Mute does not silence the module but stops it from being triggered. For the real fans, we've also included the original Trigger output fully configurable, of course.Įvery module also has a Mute, Solo and an Activity indicator.
#D16 PHOSCYON MANUAL DOWNLOAD#
Listen to the audio examples or just download the demo and start beatmaking today! This means you can route each source to a separate aux and sculpt its sound with your favorite plugins!Įach individual output can be set to mono or stereo. All the sounds and detailed nuances of the original are captured perfectly. Nepheton contains 17 fully synthesized modules that work together to emulate the original drum machine. A completely synthesized emulation of the famous drum machine.